[翻譯]推動猶他爵士重新崛起的比賽戰術和概念_3

看板UTAH-JAZZ (猶他爵士)作者glen (哈棒波特5-棒棒堂的密令)時間9月前 (2024/02/13 13:01)推噓-4(2推 6噓 0→)

留言8則, 8人參與討論串1/1

http://tinyurl.com/yt4pe7su The Set Plays and Concepts Fuelling the Utah Jazz Resurgence 推動猶他爵士重新崛起的比賽戰術和概念 Joe Hulbert Analysis January 29, 2024 ------------------------------------------------------------------ 下列翻譯內容&說明註釋禁止任何形式轉載(因為我只想把這篇翻譯留在這~) ------------------------------------------------------------------ 終於翻到最後1/3了 Strong Series 強邊系列 *進入半場陣地戰時，持球者所在的一側能夠吸引較強的注意力，因此被稱為強邊 (strong side) Utah runs a lot of double-stagger screens. This again is largely down to the fact their best player is an off-screen flier. But it is also a very good way to keep everyone involved and consistently pressure defenses. One of the things that stands out on film is just how many different reads Utah has in their series. The execution is consistently pretty good and there’s much more variety than always having someone come off a double stagger. 猶他有很多雙重交錯掩護。這又很大程度上歸因於他們最好的球員是無球掩護的特快車。但這也是讓每個人都參與並持續對防守加壓的好方法。影片中最引人注目之一就是猶他在戰術系列中有多少不同的判讀走向。執行力一直都很好，而且比一般的雙重交錯掩護中，走位出來的變化要多得多。 *Double staggered screen 兩位球員同時幫射手做掩護給外線空擋，這個雙重掩護可以擋的更紮實，重點是screen後的跑位可以做出許多不同的組合影片 https://www.youtube.com/watch?v=6zBfnZLogXU

勇士隊影片 https://www.youtube.com/watch?v=2RmljJMGTUw

戰術影片 http://tinyurl.com/bsdbrxdf Utah loves ghost screens, and here Simone Fontecchio ghosts the initial strong stagger and we see them return to the skip pass concept. It’s a nice way to ensure less traffic for a young guard like Keyonte George to have to navigate. 猶他喜歡假擋(幽靈掩護)，在這裡 Simone Fontecchio 隱藏了最初的強邊掩護，我們看到他們回到了大角傳球的概念。這是一個很好的路徑，可以讓像 Keyonte George 這樣的年輕後衛減少切入線上的堵塞。 *ghost screen 執行方式為單擋者做出單擋的假動作後偷溜。這快速的偷溜可以造成對手混淆判斷要換防還是補防，形成防守漏洞。影片 https://www.youtube.com/watch?v=eURmti_x2YM

https://www.youtube.com/watch?v=lSuj2TWMc40

They also like to push for the ‘Strong Dribble‘ variant. This is where a player comes off the double stagger screen, receives a pass, and immediately passes it back to the ball handler. They’ll often use this against teams that want to stay attached such as below. 他們也喜歡催動"強邊運球"的變化。這是球員離開雙重交錯掩護、接到傳球並立即傳回給控球者。他們常常會用這個來對付那些能持續防守強度的隊伍，如下影片。戰術影片 http://tinyurl.com/73znxtfx They run ‘Strong Dribble Pop‘. Note how they create a great driving lane for Collin Sexton with this action. It’s why he’s having such a profitable season. 他們運行"Strong Dribble Pop"。請注意他們如何透過這個戰術為 Collin Sexton 創造一條出色的切入路徑。這就是為什麼他有一個如此高效的賽季。 They also incorporate their brush screens into this concept. 他們也將刷掩護融入這個戰術概念。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/Strong-Dribble-brush.mp4 Markkanen draws all the attention. He sees that the third defender has cleared out, so he pulls his defender into another defender (brush screen). It would be more effective with a better shooter than Collins, but this is a very effective option they could go to at any time with how much attention Lauri draws. Markkanen 吸引了所有人的注意。他看到第三名防守球員已經離開，於是他將自己的防守球員拉向另一名防守球員(刷掩護)。如果有一個比 Collins 更好的射手，這會更有效，但這個判斷是非常有效的選項，他們可以隨時讓 Lauri 吸引對手注意力。 I also like the ‘Strong Dribble Veer‘ option they use. It’s an effective switch-beater. 我也喜歡他們使用的"強邊運球轉向"這個選項。這是一個有效的換防出手。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/Strong-Dribble-Veer.mp4 The play effectively allows the Jazz to pick matchups, and Fontecchio’s slip means that Luka Doncic is involved in a pick-and-roll action as the ‘big’ defender. Fontecchio then ghosts out for an easy three, which epitomizes the Utah Jazz. 這段影片中爵士隊有效地選擇了對位，而 Fontecchio 溜走意味著 Luka Doncic 作為"主要"防守者參與了複雜的擋拆防守。隨後 Fontecchio 溜出輕鬆投進三分，這呈現了猶他爵士的典型戰術。 They’ll also run far split cuts on these strong staggers if they see defenses sitting under. 如果看到防守球員已經落位，他們也會對強邊的交疊掩護進行 Split cut(分切) 戰術 *Split cut 是一種針對射手的三人走位掩護戰術，也有非常多的後續變化影片 https://www.youtube.com/watch?v=q339Mqd-uCk

戰術影片 http://tinyurl.com/3pvzhy34 Here, Utah runs ‘split cuts’. The first screener Clarkson is cutting backdoor, with Agbaji coming off a single stagger. It created an empty-side look when the Lakers were defending relatively far into the paint. Utah gets a good look on the play. 在這段影片，猶他實行「Split cut(分切)」。第一個掩護 Clarkson 正在切後門， Agbaji 則從一個單人掩護擺脫出來。當湖人隊防守到油漆區相對較遠的地方時，它造成一個無人防守邊。猶他對這個戰術走位有很好的視野。 These strong staggers require a lot of attention when you’ve got so many reads. Utah does a great job teaching their players to make ‘face cuts’ across the weak side such as below. 當你有這麼多的進攻後手，防守方須要大量的注意力去跟這些強邊交疊掩護。猶他在教導他們的球員如何對弱側進行「face cut(面框切入)」方面做得很好，如下影片所示。 *face cut(面框切入)，進攻者直接透過假動作迷惑對手後正面切入影片 https://www.youtube.com/watch?v=dZpLjmFZg90

戰術影片 http://tinyurl.com/2jsf8h9x Lauri Markkanen is isolated on the weak side while everyone else is involved with the double stagger, so he makes a cut across the middle of the paint for an easy jump shot. Lauri Markkanen 孤立在弱側邊，而其他人都進行了雙交錯掩護，因此他穿過油漆區之後輕鬆跳投。 I’ve mentioned meshing before. Here’s another example of it all coming together: 我之前提到過互相配合。這是這一切結合在一起的另一個例子：戰術影片 http://tinyurl.com/nktcn3j3 Utah runs a wedge screen for Collin Sexton, which is completely inverting the offense. It brings Lauri Markkanen to the top of the key and he comes off a top flare. While all this is happening, Collin Sexton cuts right into the teeth of the defense. Per a league source, Utah does a lot of off-ball movement work in practice. It shows on film. 猶他讓 Collin Sexton 執行wedge screen(楔形掩護)，這完全倒轉了進攻。 Lauri Markkanen 來到了弧頂，然後他接著做top flare。當這一切發生時， Collin Sexton 直切面對防守。據聯盟消息人士透露，猶他在訓練中做了很多無球跑動的工作。它在影片中呈現出來。 *wedge screen(楔形掩護) https://www.youtube.com/watch?v=SW0JIy_-1ec

Perhaps my favourite play in Utah’s strong series is the Fake Slice STS (Screen the Screener) set that they run, here’s what it looks like. 也許在猶他的強邊戰術中，我最喜歡的是他們運行的 Fake Slice STS(Screen the Screener)，這就是它的樣子。戰術影片 http://tinyurl.com/mu4zxtw6 Utah inbound the ball to the weak side elbow. Kris Dunn then sets a slice screen (back screen from the wing) for Markkanen. The alignment of players here matters a lot. In this game, the Rockets were switching 2-4 but not 1-4 because Jalen Green is a small guard. This means Dillon Brooks has to be responsible for covering Markkanen backdoor. He overplays on the fake screen and Markkanen comes off another screener and drills the three. 猶他隊將球傳至弱側肘區。 Kris Dunn 隨後為 Markkanen 設置了一個 slice screen（從側翼的後掩護）。這裡球員的配合非常重要。本段影片中，火箭隊的換位是2-4，但不是1-4，因為 Jalen Green 是個小後衛。這意味著 Dillon Brooks 必須負責防止 Markkanen 開後門。他在假掩護中防守過度， Markkanen 擺脫另一個掩護防守，接球投進三分。 *slice screen https://betterbasketball.com.au/utah-jazz-slice-action/ 影片 https://www.youtube.com/watch?v=cppAgKj7kl0

Houston did an OK Job defending this play after the original advantage was created by the slice screen. Most of the time it’s harder to cover. 在通過 slice screen 創造了最初的進攻優勢之後，休士頓在防守這一戰術方面做得還不錯。大多時候它更難處理。戰術影片 http://tinyurl.com/yswmt3at Utah dialed this up in overtime of the aforementioned Rockets game. This time the entry is a little different with Collin Sexton coming off a zipper screen on the weak side. Markkanen uses the fake slice screen and when 2 defenders come to him, Walker Kessler slips backdoor for an easy dunk. With Utah’s size, merely switching things isn’t always an option and they do a good job milking that fact. 猶他在上述火箭隊比賽的加時賽中解決了這個問題。這次的情況有點不同， Collin Sexton 從弱側的拉鍊掩護中出來。當兩名防守球員向 Markkanen 逼近時他利用假切球做掩護， Walker Kessler 溜後門輕鬆扣籃。考慮到猶他的身高，僅做交換對位並不總是一種選擇，他們在這一事實上做得很好。 The same happens here against the Pistons. 同樣的情況也發生在對活塞隊的比賽中，如下影片。戰術影片 http://tinyurl.com/3twx8s99 Two again go to Markkanen which is common. Some teams will come into games with plans to blitz the ball out of the hands of good shooters. The problem with this play is that your help defense is disoriented and it’s not always that simple. 兩個人又去包夾 Markkanen ，這很常見。有些球隊在比賽中會計劃阻止優秀射手取得球權。這種打法的問題在於你的協防會迷失方向，而且事情並不總是那麼簡單。 Here’s what the play looks like if the slice screen isn’t rejected. 如果沒有阻止切割掩護，這部影片就是該戰術的樣子。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/ATO-Elbow-Twirl-1.mp4 The Thunder cover the slice screen relatively well but still concede a decent look to Collin Sexton. Chet Holmgren also has to drop deep, so a skip pass to Kessler may have also worked. It shows the attention Lauri garners when he tries to cut backdoor. 雷霆隊對切割掩護的協防範圍相對較好，但仍然讓 Collin Sexton 的表現不錯。 Chet Holmgren 也必須回防更深，所以跳傳給 Kessler 可能也有效。這顯示了 Lauri 在試圖切後門時所引發的防守關注。 Here is another example of things all meshing together. 這部影片是所有戰術跑位相互交錯的另一個例子。戰術影片 http://tinyurl.com/2d47p3bd Utah looks as if they’re going to run a strong double stagger. But the second screener and the man closest to the ball is John Collins. Instead of running the staggers, Sexton throws the skip pass to John Collins and they flow into a Chicago action which creates a numbers advantage, getting Markkanen a great look. 猶他看起來好像他們要打強邊的雙交錯掩護。但第二位掩護者和距離球最近的人是 John Collins 。 Sexton 沒有跑動，而是將傳球傳給 John Collins ，他們進入了 Chicago action 戰術，創造了人數優勢，讓 Markkanen 獲得了漂亮的出手點。 *Chicago action 戰術 https://www.youtube.com/watch?v=FHqBeNJA03w

Here’s everything coming together differently in a recent game vs the Hornets. 在最近對陣黃蜂隊的比賽中，一切都以不同的方式結合在一起，如下影片。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/3.mp4 The Jazz use the skip pass to John Collins to open the play as Nick Richards is in drop. Note on the weakside, Utah is trying to set the flare screen for Markkanen. His man jumps out to the corner to stop the flare, so Markkanen comes back. But watch John Collins. He veers towards the weakside after skipping the ball back to Collin Sexton and Lauri gets a great look. Here they managed to combine their skip pass concept, a flare screen, and their strong series. This is a particularly great off-ball read. 當 Nick Richards 落位時，爵士隊利用大角傳球給 John Collins 啟動戰術。請注意在弱側邊，猶他正試圖為 Markkanen 設置 flare screen 。他的防守球員跳出到邊線阻止了 flare 戰術持續進行，於是 Markkanen 繞回來跳投。但請注意 John Collins 。在將球傳回給 Collin Sexton 後，他轉向弱側邊掩護， Lauri 得到了很好的出手點。在這裡，他們成功地將大角傳球、 flare screen 和強邊的戰術系列做結合。這是一個特別精彩的無球戰術閱讀。 As I’ve mentioned, the good offenses mesh things together. It’s not like playing Madden where plays you call are independent. Your concepts and philosophies should mix with your set plays, and off-ball reads should shine through. 正如我所提到的，良好的進攻將戰術融合在一起。不該遊戲都是獨立的，像玩《Madden》那樣。你的概念和哲學應該與你的半場戰術融合在一起，並且要有眼睛為之一亮的無球閱讀走位。 Elbow/Horns/Stack Out *Elbow/High Post 肘區/高位 (位於罰球圈左右兩側) *Horns 它嚴格來說並不是一種戰術，而是陣地戰進攻方的一種初始落位陣型：組織後衛在弧頂位置，兩個內線在油漆區兩個頂點的位置，剩下的兩名球員在兩側底角拉開空間。由於這個陣型看起來像個V字型，所以也叫「V」字戰術。 https://i.imgur.com/D0ggh6j.png

Horns Offense 牛角戰術 https://www.youtube.com/watch?v=FD08YxtV4q8

*Stack Out 這是一種堆疊的戰術啟動落位，當球隊在四號位上使用側翼而不是大前鋒，可以更有效地利用該球員接球投籃/運球進攻/戰術發動的能力影片 https://www.youtube.com/watch?v=3LXwa0rn72Y

外文專欄 Stack Out: How a simple twist on a classic play gets Jayson Tatum wide open 3s http://tinyurl.com/5f6rv6ea Utah runs a lot of offense through the elbow. In a recent press conference attended by Philadelphia 76ers beat reporter Daniel Olinger, Will Hardy said of elbow offense: 猶他執行了大量的肘區戰術。在最近費城76人隊隨隊記者 Daniel Olinger 出席的記者會上， Will Hardy 談到肘區進攻時說道： It’s hard to know where to help from there … and from an analytical standpoint, the most valuable shots are at the rim and corner threes, and if you put the ball in the middle of the floor, you now have 2 corner players 很難知道從哪裡可以提供幫助......從分析的角度來看，最有價值的投籃是在籃筐和底角三分球，如果你把球放在球場中間，你現在就有2名底角球員 Utah doesn’t always have two in the corner in their elbow sets, but they commonly create high percentage looks from them. Perhaps my favourite is when they run ‘Twirl Action’. It’s an off-ball screening action where there is a double stagger screen and a player cuts off or rejects the first screen, and the first screener then comes off the second screener. 猶他在進行肘區戰術時，並不總是將兩個球員布置在底角，但他們通常會創造出很高的命中率。也許我最喜歡的是他們運行"Twirl Action"的時候。這是一種無球掩護動作，其中有雙交錯掩護，球員空手跑位或拒絕第一個掩護，然後第一個掩護者離開第二個掩護者。 *庫奇籃球Twirl Action戰術說明影片 https://www.youtube.com/watch?v=Wr6rWVPGfqI

Writer’s Note- Not all of these plays necessarily catch the ball at the elbow, but due to their nature I still consider them part of Elbow Offense. NBA Spacing has evolved and catching the ball just outside the perimeter in 2024 likely matches catching it at the elbow in 2014. 作者註：並非所有這些戰術都必須在肘區接球啟動，但由於其性質，我仍然認為它們是肘區進攻的一部分。NBA的間距已經發生了變化，2024 年在外線外接球的戰術變化很可能會與2014年在肘區接球發動相媲美。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/Elbow-Twirl.mp4 The Jazz get the ball to Kelly Olynyk near the elbow. Jordan Clarkson cuts baseline and rejects the double stagger screens, with Ochai Agbaji coming off the screen for an easy look from beyond the arc. It can be difficult to defend on an empty side, so mixups are common. 爵士隊將球傳給肘區附近的 Kelly Olynyk 。 Jordan Clarkson 切入底線並拒絕雙交錯掩護， Ochai Agbaji 從掩護中出來，從三分線外輕鬆投籃。在無人側的防守會很困難，因此混亂很常見。 Utah is also good at pushing into something else if the initial action doesn’ t create an instant shot. 如果最初的戰術不能即時創造投籃機會，猶他也擅長推進其他戰術變化。戰術影片 http://tinyurl.com/yc68dx2p Cam Reddish forces Jordan Clarkson further out from the paint, so the Jazz go into a middle-pick-and-roll. Note Kelly Olynyk also setting a flare screen alongside the PNR (Indiana Action). This is likely considered a win for the defense but it’s still a pretty good look which shows how playing against the Jazz can be confounding. Cam Reddish 迫使 Jordan Clarkson 遠離油漆區，因此爵士隊進入了中路擋拆。請注意，Kelly Olynyk 還在 PNR(Indiana Action)旁邊設置了 flare screen 。這可能被認為是防守的勝利，但它仍然是一個相當不錯的戰術解讀，這說明了爵士隊的比賽是如何令防守方困惑。 *Indiana Action戰術 https://www.jes-basketball.com/playbook/plaindiana.html Utah has counters upon counters in their offense. 猶他在進攻中不斷反擊。戰術影片 http://tinyurl.com/4sfcbh6k This time the Jazz run ‘Stack Out Chin Twirl’. Jordan Clarkson cuts backdoor when Josh Green very aggressively tries to deny him the cut towards the ball handler. Dallas then top-locks Kris Dunn so the Jazz again go to a quasi-brush screening action to get John Collins a lob attempt. Though top-locking Kris Dunn is an odd decision, it’s just likely Dallas had twirl scouted and wanted to top-lock the final part of the action. But Utah was ready. 這次爵士隊表演了“Stack Out Chin Twirl”。當 Jordan Clarkson 從後門切向持球者時， Josh Green 非常積極地試圖阻止他。隨後達拉斯擋住了 Kris Dunn ，因此爵士隊再次採取刷掩護，讓 John Collins 空中接力 Alley-oop。儘管鎖死 Kris Dunn 是一個奇怪的決定，但達拉斯很可能因為已經觀察了戰術運轉，並希望在最後鎖死戰術運作。但猶他已經準備好了。 They also love to run ‘Peja’ or ‘Rip’ actions. These involve someone back screening before coming up for a shot or a dribble handoff. 他們也喜歡進行"Peja"或"Rip"戰術。這些擋拆進攻涉及在球員接下來的投籃或運球遞手傳球。戰術影片 http://tinyurl.com/4euh6x34 Jordan Clarkson sets a back screen for Collin Sexton while Olynyk has the ball at the elbow. When Clarkson sees he’s still top-locked, he cuts backdoor and gets a good look. OKC isn’t the team to run this against given their tendency to want to swarm the paint, but against teams with more of an outside-oriented approach, this play could be very effective. Jordan Clarkson 為 Collin Sexton 設置後掩護，而 Olynyk 則在肘區持球。當 Clarkson 發現他在頂部被對手鎖定時，他切後門並取得進攻空間。考慮到雷霆隊傾向於擠入油漆區，所以他們不是適合這種戰術的球隊，但面對更多以外線為導向的球隊，這種戰術可能會非常有效。 I’ve mentioned the word meshing a tonne in this article; let’s look at another example of it. 我在這篇文章中提到了「meshing a tonne」這個詞；讓我們來看另一部影片。戰術影片 http://tinyurl.com/3n3p4p8j Utah gets Jordan Clarkson the ball at the elbow. Keyonte George then sets a back screen for Lauri Markkanen. The defense doesn’t do an amazing job covering it, but Jordan Clarkson instead hits Walker Kessler and goes into the ‘Blind’ dribble handoff option that’s part of the Jazz half-court offense. This was particularly effective because the Peja action occupied the low men and created an easy look for Jordan Clarkson. 猶他在肘區讓 Jordan Clarkson 接球。 Keyonte George 隨後為 Lauri Markkanen 設置了後掩護。防守並沒有做得很好，但 Jordan Clarkson 跟 Walker Kessler 互相換位，並進行了一個隱蔽的運球遞手傳球，這是爵士隊半場進攻的一部分。這種做法特別有效，因為 Peja action 會佔據低位，為 Jordan Clarkson 創造了輕鬆的進攻機會。 Utah will also often use the elbow as a sort of safe space in their half-court stuff. 猶他也經常在半場戰術中使用肘區作為戰術舒適區。戰術影片 http://tinyurl.com/48exhw63 The Jazz go to Ram Ghost, but Keyonte George opts to pitch the ball to Kelly Olynyk. George then comes off a flare screen for an open three. This is an easy concept that I feel they should go to more often. The top flares don’t often come with any kind of pre-action but this is extremely effective. 爵士隊選擇了 Ram Ghost，但 Keyonte George 選擇將球傳給 Kelly Olynyk 。隨後 George 從 flare screen 繞出空位三分。這是一個簡單的戰術，我覺得他們應該更頻繁地採用。 top flares 通常不會帶出任何類型的戰術預先動作，但這非常有效。 *Ram Ghost戰術跑位 http://tinyurl.com/329knrer Here’s another layer they added in a game vs the Charlotte Hornets. 這是他們在對陣夏洛特黃蜂隊的比賽中添加的另一個戰術層次。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/2.mp4 Charlotte has Markkanen come off a ram screen and ghost it. The ball then is pitched to John Collins in the elbow. Collin Sexton sets a sort of freelance flare for Lauri Markkanen and comes up to receive the ball. Markkanen is tightly defended so to quote NFL lingo, it’s ‘free yards’ for Collin Sexton and easy labor. They then flow into a Spain pick-and-roll. On this occasion, the Hornets switch everything, but it puts Brandon Miller in a bad position against a very accomplished lob threat in John Collins. 夏洛特讓 Markkanen 從公羊掩護繞出來並消失。然後球傳給肘區的 John Collins 。 Collin Sexton 為 Lauri Markkanen 設置了 freelance flare ，然後上前接球。 Markkanen 受到嚴密的防守，引用 NFL 的行話來說，這對 Collin Sexton 來說是"free yards(自由開球區)"，而且很輕鬆。接著戰術轉入了西班牙擋拆。這一次，黃蜂隊讓場上全換防，但這讓 Brandon Miller 不利於應對 John Collins 出色的空接得分能力。 They come back to it on the next play. 回到下一個戰術影片。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/1.mp4 This time, note Miles Bridges tags into the paint more than he did on the first play. This time, Simone Fontecchio leaks out as the back screener. After some good ball movement and screening, Collin Sexton nails an above-the-break three-pointer. 請注意這次 Miles Bridges 比第一次戰術時更進入油漆區。同時 Simone Fontecchio 擔任後掩護者。經過一些良好的傳球和掩護後， Collin Sexton 投進了一個大空檔三分球。 Conclusion 結論 Overall, I’ve been blown away by the Utah Jazz offense this season. Running offense is extremely hard, but Utah is one of those teams that are mastering the details other teams miss. They put a hell of a lot of time into perfecting their off-ball movement, and it means that they’re able to somewhat overachieve on the offensive side of the ball. 總的來說，本賽季猶他爵士的進攻給我留下了深刻的印象。跑動進攻非常困難，但猶他是掌握其他球隊錯過細節的球隊之一。他們投入了大量的時間來完善自己的無球跑位，這意味著他們能夠在進攻端取得一定的成就。 I’m not into many coaching cliches, but one I’ve seen trotted around is ‘ You can stop plays but you can’t stop principles’. I don’t think it’s a bad quote but I feel it misses the point. Principles are everything, but your principles can be elevated by how tough your plays are to stop. The Jazz give their players live reps, as they don’t have many specific packages for out-of-bounds plays. 我不太喜歡教練的陳腔濫調，但我見過的一句是「你可以停止戰術執行，但你不能停止原則」。我不認為這是一個糟糕的援引說明，但我覺得它沒有抓住重點。原則就是一切，但你的原則可以透過你的比賽有多難來停止提升。爵士隊讓他們的球員即興演出，就像他們沒有太多針對出界發球的戰術方針。 To revisit the earlier things I look for in scouting offense, it’s very hard to tick the boxes of all four. For the most part, the Utah Jazz do this. It’ s a creative scheme using some unique and very new concepts, and it’s well executed with speed and has enough counters for the defense to know that stopping the first action may often mean little. 回顧我初期在搜索進攻戰術所中尋找的事物，很難同時滿足這四個條件。大多數情況下，猶他爵士都是這樣做的。這是一個創造性的構想，使用了一些獨特且非常新的戰術概念，並且執行得很好，速度快，並且有足夠的反擊手段，讓防守方知道停止第一個戰術通常意義不大。 Regardless of the direction Utah chooses to go in, Will Hardy has proven himself extremely capable of maximizing a rebuilding squad. It wouldn’t surprise me if Hardy became one of the greatest coaches of his generation. 無論猶他選擇哪個方向， Will Hardy 都證明了自己極有能力，並且最大限度發揮重建球隊的潛力。如果 Hardy 未來成為這代最偉大的教練之一，我不會感到驚訝。 ---------------------------------------------------------------------- 終於翻完了...... 有些戰術漏註釋的再麻煩自己google 我懶得補了(逃) -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 36.224.128.126 (臺灣) ※ 文章網址: https://www.ptt.cc/bbs/UTAH-JAZZ/M.1707800507.A.5E3.html ※ 編輯: glen (36.224.128.126 臺灣), 02/13/2024 13:06:27

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