[翻譯]推動猶他爵士重新崛起的比賽戰術和概念_1

看板UTAH-JAZZ (猶他爵士)作者glen (哈棒波特5-棒棒堂的密令)時間9月前 (2024/02/07 22:15)推噓-12(3推 15噓 7→)

留言25則, 18人參與討論串1/1

http://tinyurl.com/yt4pe7su The Set Plays and Concepts Fuelling the Utah Jazz Resurgence 推動猶他爵士重新崛起的比賽戰術和概念 Joe Hulbert Analysis January 29, 2024 ------------------------------------------------------------------ 下列翻譯內容&說明註釋禁止任何形式轉載(因為我只想把這篇翻譯留在這~) ------------------------------------------------------------------ The Utah Jazz entered the year once again expected to be on the outside looking in. Only three teams had lower over-under predictions, and there was uncertainty around a roster that was normally dominated by Lauri Markkanen trade rumors. For the most part, Will Hardy has sought to shut out the noise coming from the outside. There has been a determined belief that the roster is capable of winning consistently even while they’re re-tooling and looking to add young players. 進入新的一年，猶他爵士再次被預期成為戰局外的球隊。只有三支球隊的上下預測戰績位置較低，而且由 Lauri Markkanen 主導的陣容在交易傳聞中經常造成球隊的不確定性。在大多數情況下， Will Hardy 都試圖排除來自外界的雜音。他們堅信即使球隊正在重組並尋求增加年輕球員，也有能力持續獲勝。 I watch an unholy amount of film; I’m what you might call a Sicko. So believe me when I say I’m not being hyperbolic. The 2023-24 Utah Jazz offensive process is one of the best I’ve seen from a basketball team. This is a roster with some talent, but I believe Hardy’s coaching is milking every ounce of that talent from the roster which is not always the case in basketball. 我看了數量多到難以想像的球賽片段；也許是你所說的有病的那種人XD。所以當我說我沒有誇大不實時請相信我。2023-24賽季猶他爵士的進攻流程是我所見過的最好的籃球隊之一。這是一批具有一定天賦的球員，但我確信 Hardy 教練正在從球隊名單中榨取每一盎司的天賦，這在籃球運動中並不總是如此。 I normally judge offenses in four ways. I don’t have a weighted formula but these are the things I look at: 我通常用四種方式來評論進攻。我沒有那種數字加權公式，這些是我看的重點： Creativity of plays and their fit with the personnel Spacing concepts and cutting Execution of counters when first option is taken away Speed of action 戰術執行的創意及球員彼此的契合度場上空間概念和切出接應當第一個set的戰術失效後,還有多少戰術的變化執行的速度 An offense normally won’t tick all four of these in my mind. Sometimes this is because teams are simply loaded with talent and may not need to extend extra labour into their offensive process. Other times, we have to remember that practice only happens for a finite amount of time and coaching is hard. With this Jazz team, I firmly believe they tick all four of the things I look for regularly. 在我看來，進攻通常不會全部達成這四個要求。有時候只是因為球隊人才濟濟，所以可能不需要在進攻過程中投入額外的精力去滿足這些要求。除此之外我們必須記得，球隊練習的時間是有限的，而且指導戰術是很困難的。不過這支爵士隊，我堅信他們完成了我經常探索的這四件事。 The pace stat is mostly useless to me; it’s just an indicator of how much a team runs. Speed of action is much more important and that’s not something that is tracked by any of the statistical services I have subscriptions for. It’s something I try and gauge from watching as much of a team’s half-court offense as possible. The Utah Jazz excel at all of this. Pace(Pace Factor，每48分鐘回合數)對我來說幾乎沒用；它只是一個團隊跑動程度的指標。執行的速度更為重要，而我訂閱的任何統計服務都無法追蹤這一點。這是我嘗試透過盡可能多地觀察球隊的半場進攻來衡量的。猶他爵士在這一切方面都表現出色。 Statistically, you might not be blown away. This is an offense ranking 17th in offensive efficiency and 23rd in half-court efficiency. But the process is excellent and the Jazz are running some modern concepts and arguably setting some metas for how modern basketball offenses will work. It’s an ideal environment for developing players, so it’s no shock many are having the best spells of their careers in Utah. 從統計數據來看，你可能不會感到驚訝。這是進攻效率排名第17、半場效率排名第23的進攻。但這個過程非常出色，爵士隊正在比賽中運行一些現代比賽戰術概念，可以說為現代籃球進攻的運作方式設定了一些變化數據。這是培養球員的理想環境，因此許多球員在猶他度過了職涯中最好的時光也就不意外了。 Since December 7th, when Will Hardy called a Jazz performance, and I quote, ‘ A Masterpiece of Dog Shit’. The Utah Jazz are 8th in offensive efficiency and 11th in halfcourt offensive efficiency 自從12月7日 Will Hardy 開始帶領爵士隊以來，我引用的是"天殺的傑作"。猶他爵士進攻效率排名第8，半場進攻效率排名第11 I’ll get into more detail in the skeleton of this article, but Hardy and his staff have an excellent understanding of the way modern defenses are playing. Teams are loading up with nail help, and often using a ‘roaming’ center on a non-shooter or an offensive player they deem low usage. Hardy’s concepts exploit these, and their set plays help maximize a roster that is mostly made up of young players, some veterans, and players who other teams did not see value in. In a way, the Utah Jazz offense unites the roster and creates some fascinating questions about what they might do next in their rebuild. 我將在本文的架構中詳細介紹，但 Hardy 和他的團隊對現代防守的運作方式有很好的理解：球隊運用釘子上建立防守者，並且經常讓中鋒"在區域遊盪"來對付非射手或他們認為進攻能力低的球員。 Hardy 的理念充分利用了這些，他們的半場系統戰將主要的年輕球員、一些老將和其他球隊認為沒價值的球員組成的陣容作最大程度的使用。某方面來說，猶他爵士的進攻將陣容團結起來，讓他們接下來重建中可能引出一些極好的問題。 *Teams are loading up with nail help<--關於這句內文解釋的太簡略:「釘子/Nail」是在罰球線中心地板上鑽的小孔位置。防守方通常會在這裡駐紮一名防守球員，以阻止頂線突破。進攻方想要突破釘子；防守方想要保護釘子。 https://team.fastmodelsports.com/2018/09/10/moving-nail-defender/ 這篇戰術文說明關於"The Nail Defender"的用途 Flare Screens *Flare Screen是無球掩護的其中一種，是現代NBA頻繁使用的戰術，它更常被使用於半場系統戰，並且可以搭配很多其他的戰術做出球隊進攻的Combo，接球的球員跟掩護或傳球球員做面對面的擋拆，並往外線的側翼移動，藉此拉開防守的距離在外線做出空檔，接球員通常會設定為射手 https://i.imgur.com/Zr4itsh.jpeg

Flare Screen Set Plays for Shooters https://www.youtube.com/watch?v=eSeLZ9LCva8

I’m going to give flare screens their own section in this article because they’re often Utah’s first read in the half-court. Normally, they are ‘top flares’ such as the one below. 我將在本文中剖析屬於他們部分的flare screen，因為它們通常是猶他在半場進攻的起手式。通常，它們是"top flares"，如下影片所示。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/Pistol-Top-Flare.mp4 They’ll push these at will, especially for Lauri Markkanen. Per Synergy, the only team that ends up with more shots off-screen is the Golden State Warriors. I will asterisk this with the fact Synergy will only track this if the off-screen play leads to an instant shot. Utah runs many more screens that don’t instantly lead to a shot. This is their most common. Nothing elaborate, but something easy and low maintenance for their best player. This matters. Only Stephen Curry and Klay Thompson attempt more shots off-screen per game than Lauri Markkanen. 他們能夠隨意推動這些戰術，尤其是當 Lauri Markkanen在場上。根據 Synergy 的說法，唯一一支用更多無球掩護來出手的球隊是金州勇士隊。我會用星號來表示這一點，因為只有當無球掩護成功可以及時出手投籃時，Synergy 才會追蹤這一點。猶他有設置更多的掩護，但這些掩護並不能立即出手投籃。這是他們最常見運用也不複雜的，但很重要的點，對於他們最好的球員來說這是最簡單且容易維持的戰術。只有 Stephen Curry 和 Klay Thompson 每場比賽無球掩護的投籃出手次數比 Lauri Markkanen 多。 Flare screens are probably the most important screens in modern basketball, especially in the context of the play above. Pistol action is by far the most common action in NBA basketball. Teams need to first cover the baseline but then be ready for the normal ‘chase’ action that follows when a player receives a handoff. To attempt to do this, teams will load up with nail help and slant toward one side of the floor. This quick top flare puts that to the test because it punishes any over-help, and Lauri’s prowess means they have to pay legitimate attention to it. This leads to less coverage of the initial pistol actions. Flare Screen 可能是現代籃球中最重要的掩護，尤其是在上述比賽的狀況下。手槍戰術 (Pistol)是迄今為止NBA籃球中最常見的動作。球隊需要先掩護底線，然後準備好在球員掩護接觸後進行正常的「追逐」動作。為了嘗試做到這一點，隊伍讓釘子位置的球員開始連動，並移往場上其中一側。使用這種快速的 top flares 來測試對手的防守，因為它會懲罰任何過度的協防，而 Lauri 的投籃能力意味著他們必須做到足夠強度的追防。這導致初始手槍戰術的掩護範圍較小。 *手槍戰術(Pistol)，是指一名控球後衛、一名側翼、一名內線共三個人，從側邊開始展開彼此相互短傳、掩護、走位所創造出的一系列戰術，最大目的是混淆防守方的對位。 I mentioned in my rubric for evaluating offenses the importance of flowing into stuff quickly when the flare doesn’t directly lead to a shot. Utah does this well: think of the flare like an opening move in chess. 我在評價進攻的標題中提到，當 Flare Screen 沒引出投籃機會時，持續快速流動的重要性。猶他在這方面做得很好：將 Flare 想像成西洋棋中的起手棋。戰術影片 http://tinyurl.com/4h2j2p6m The Thunder cover things well, so the Jazz quickly flow into a middle pick-and-roll. This is largely where Collin Sexton‘s value shows because he’ s an excellent and willing driver. 雷霆隊的掩護防守很好，所以爵士隊很快就進入了中路擋拆。這將 Collin Sexton 的場上價值大幅度體現，因為他是一名出色且樂於分球的進攻手。 I liked the read below too, where Lauri Markkanen dives to the rim and disrupts the low-man help after initially not getting open on the flare screen. 我也喜歡下面的戰術閱讀影片，在最初的 Flare Screen沒跑出之後， Lauri Markkanen 繞到籃圈範圍並擾亂了低位球員的協防。戰術影片 http://tinyurl.com/s9cune5n Markkanen vacating the perimeter means there’s no nail help to disrupt Sexton, and he takes it to the paint for an easy score. This pre-action frees things up and creates lanes for players that maybe aren’t as good at creating them as the top stars in the NBA. Markkanen 空出邊線意味著沒有釘子球員協防 Sexton ，他帶球切入禁區輕鬆得分。這個預先走位釋放了一切，並為那些創造力較平庸的球員創造了機會。 As always with Utah, the off-ball reads are crisp, like below. 猶他一如既往，無球掩護閱讀很清晰，如下影片所示。戰術影片 http://tinyurl.com/y96su8sb Collin Sexton slips backdoor while the Rockets try and switch the action. To quote my good friend, Nekias Duncan- ‘The best way to beat a switch is to slip’. 當火箭隊試圖交換走位時， Collin Sexton 開後門溜進去。引用我的好朋友 Nekias Duncan 的話說：「The best way to beat a switch is to slip」。 Something unique about Utah is that their ATOs aren’t unique or special plays. They generally just run their half-court concepts but from a different angle with the out-of-bounds pass. The only exception I found on film was their Iverson set. 猶他的獨特之處在於他們的 ATO 並不獨特或特殊。他們通常只是運行半場戰術觀念，但從不同的角度進行發界外球。我在影片中發現的唯一例外是他們的 Iverson set。 *Iverson Sets https://www.youtube.com/watch?v=zrDrX_N9Ekg

戰術影片 http://tinyurl.com/ycxrhmhp Here, the Jazz flow into the top-flare action from a ‘get’ action on the SLOB play. On this occasion, they use it to switch hunt and Keyonte gets a decent driving lane before Chet Holmgren happens. 在這裡，爵士隊從啟動 SLOB 戰術中的"get"動作持續連動到 top-flare 。從這個時機，爵士隊切換人尋找得分機會， Keyonte 隨即發現一條不錯的切入路線但被 Chet Holmgren 補防。 *(SLOB) ATO Floppy Flex影片 https://www.youtube.com/watch?v=W9nhbXKAIHA

I’ve mentioned counters and speed of action multiple times so far. I liked this double backdoor counter the Jazz used in their top flare progressions. 到目前為止，我已經多次提到了反制和執行的速度。我喜歡爵士隊在他們的 top flare 進展中使用的雙後門反擊。 *Counter是指將原有的招式當成假動作，騙開對手之後從另一邊攻擊籃框。防守者向前衝刺防守時，進攻者可以從防守者側面壓直線突破，俗稱"攻擊防守趨前步"。戰術影片 http://tinyurl.com/4sm93e44 The two backdoor cuts open up a potential open side for a driver, but it also draws the help defense from the other side, which Collin Sexton punishes with that San Antonio Spursian lift from the corner. 兩次後門切入為進攻手打開了一個潛在的空位，但也吸引了對方的協防， Collin Sexton 用聖安東尼奧馬刺隊的Corner Lift 戰術懲罰對手。 *Corner Lift戰術 https://www.youtube.com/watch?v=-LdSPh4WkR4

In recent games, Will Hardy has felt more comfortable adding extra layers onto the Jazz’ core stuff. This opening play against the Denver Nuggets was a great way of using the flare screen as pre-action. 在最近的比賽中，Will Hardy 感覺更願意在爵士隊的核心戰術架構上添加額外的層次。下列對陣丹佛金塊隊影片中，首個戰術是利用 flare screen 作為預先起手動作的好方法。戰術影片 http://tinyurl.com/363ukn3s The Jazz run ‘Top Flare Reject Ram Spain Shallow Brush‘. It’s a mouthful but don’t panic. They don’t use the top flare as Denver has it scouted. Markkanen screens for John Collins and he enters a PNR with Kris Dunn. Collin Sexton also looks as if he’s going to screen KCP, but when KCP turns his eyes to the ball handler, Sexton sets a little brush screen for Lauri to pop for a three-pointer. Utah in particular loves brush screens, and you can see this basic concept is just a starting point for their offense. They’re beginning to add and flow into more stuff as the year progresses. 爵士隊運行"Top Flare Reject Ram Spain Shallow Brush"。雖然很拗口，但不要恐慌。他們沒有像丹佛金塊隊所預測的那樣使用 top flare 。 Markkanen 為 John Collins 做掩護隨即與 Kris Dunn做了 PNR。 Collin Sexton 看起來也像是要掩護阻擋 KCP，但當 KCP 將目光轉向持球者時， Sexton 為 Lauri 設置了一個小掩護，讓他投三分球。猶他尤其喜歡刷掩護，你可以看到這個基本概念只是他們進攻的起點。隨著時間的推移，他們開始添加並流入更多的東西。 Top flares are Utah’s most common type, but they run the more traditional flare screens too. They do these both as freelance off-ball reads and as part of more intricate set plays. Here’s a basic off-ball Indiana read alongside an empty PNR, a Utah staple. Top flares 是猶他最常見的類型，但他們也運行更傳統的 flare screens 。他們這樣做既可以作為自由在場上閱讀無球掩護機會，也可以作為更複雜的半場戰術的一部分。這部影片是印第安那溜馬隊預判了基本的無球掩護，但旁邊出現了PNR的空檔，這是猶他的主產。戰術影片 http://tinyurl.com/5n6h585n They’ll often use these as quick hitters for Markkanen, notably on an empty side. He’s good at cutting backdoor if they over-commit; that’s been a notable development of his in Utah. 他們經常使用這些作為 Markkanen 的快速取分方式，特別是空檔出現時。他擅長在對手過度協防的情況下切後門；這是他在猶他的顯著進步。戰術影片 http://tinyurl.com/25eux3r9 As Lauri has been cutting more in Utah, teams respect that side of his game a lot more. This has been a notable change from his time in Chicago. Watch the play below as an example of how Utah uses that against teams. 由於 Lauri 在猶他的切入比重越來越多，球隊更加看重他在比賽中的這一面。與他在芝加哥時相比，這是一個顯著的變化。觀看下面的影片，作為猶他如何利用這一點對抗對手的例子。戰術影片 http://tinyurl.com/3cr2vd3w We see the return of the brush screening concept as Utah runs ‘Stack Out Flip Flare‘ with a brush screen counter. The stack out is their go-to if teams are tightly defending Markkanen or Olynyk. Here they have Markkanen go off a flare screen after flipping the ball back to Collin Sexton. Note how far into the paint Toronto’s low-man is playing when Markkanen clears through the paint. He punishes this by setting a quasi brush-screen for Jordan Clarkson to pop open for a three-pointer. 我們回歸到看刷掩護的概念，隨著猶他找機會反擊刷掩護的"Stack Out Flip Flare"。如果對手嚴密防守 Markkanen 或 Olynyk ，那麼為出手點做堆疊人牆就是他們的目標。在這裡，他們讓 Markkanen 再將球傳回給 Collin Sexton 後離開了 flare screen 。注意當 Markkanen 突破禁區時，多倫多隊的低位球員已經深入禁區太遠。利用這一點懲罰對手，他為 Jordan Clarkson 設置了一個類似於掩護的動作，讓他有機會投三分球。 Finally, just watch this play for an indicator of how annoying it is to defend the Utah Jazz when their five-out stuff is humming. 最後，只要觀看這場比賽，就能知道當猶他爵士主打5-out戰術的時候，防守他們是多麼煩人。戰術影片 https://theswishtheory.com/wp-content/uploads/2024/01/Wide-Ghost-Flare.mp4 Lauri Markkanen starts the play by coming off a wide ball screen, then Collin Sexton flares for him as he’s ghosting the pick-and-roll. Admittedly, Dallas didn’t have the most fearsome defenders at the top of the key, but this just showcases how Utah dissuades nail help with constant screening and moving. Lauri Markkanen 從強邊做掩護開始戰術，然後 Collin Sexton 為他做了一個延伸擋拆。誠然，達拉斯在弧頂並沒有最可怕的防守者，但這只是展示了猶他如何通過不斷的掩護和移動來阻止釘子位球員協防。 I also liked this intriguing read. 我也喜歡這個有趣的戰術閱讀影片。戰術影片 http://tinyurl.com/2dn3mv8h Utah goes into the elbow with the ball. It initially looks as if Markkanen is going to be part of a double screening action. Instead, Utah flows Markkanen into a top flare to an empty side. Watch Jordan Clarkson. Kenrich Williams is ball-watching so he screens Markkanen’s man which essentially creates a defacto switch that Markkanen can punish. 猶他持球進入肘部。最初看起來 Markkanen 將成為雙重掩護的一部分。但相反的猶他將 Markkanen 送入空位的 top flare 。可以觀看到 Jordan Clarkson發現了 Kenrich Williams 正在看持球位置，所以他掩護阻擋了 Markkanen 的防守球員，這實際上創造了一個 Markkanen 可以懲罰對手換防的機會。 They may not have the talent level of other teams, but they out-work you and never stand in place. The flare screen isn’t all they do, but it’s the springboard for the majority of their half-court plays and it’s always in their arsenal, almost built into their overall DNA. 爵士隊可能沒有其他團隊的天賦水平，但他們比你更努力，而且永遠不會站在原地不動。 flare screen 並不是他們所做的全部，但它是他們大部分半場戰術的跳板，並且一直在他們的武器庫中，幾乎融入了他們的整體DNA。 -------------------------- 這篇戰術外電我分幾篇翻譯完因為真的太長+不少籃球慣用術語應該農曆年期間可以完成~~TKS -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 36.224.134.113 (臺灣) ※ 文章網址: https://www.ptt.cc/bbs/UTAH-JAZZ/M.1707315346.A.607.html

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