[新聞] 一篇分析(義翻英版)之二
The Fiorentina possesses a precise identity in phase of formulation of the
maneuver. The square is good and prepared it is in developing the ripartenza
attack that that one maneuvered. The gigliati ones know to read the tactical
situation of field in uniform way and succeed are to counterattack with more
players who to show rather fluid flows of game when it is necessary to head
at the elaborated construction. In phase of formulation the objective of the
square is that one to earn the half zone field with the ball in possession of
one of the lateral ones of defense. In order to catch up this objective the
gigliata square can opt for the giropalla developed from the four defenders
or on what it includes also the participation of the two centrocampisti
center them. In the case in which the opposing attitude it prevents to the
square viola to easily earn meters with the giropalla to the height of the
rear unit and Ujfalusi and Pancaro (or Pasqual), also having the sphere, they
are "sluices" and consequently possibility to play for the passage of
vertical escape towards the tip that on moves encounter in order to make from
"wall" and to unload on the centrocampisti centers them, here that comes
preclusa they it Brocchi on the skillful center and Donadel on the left
center is lowered leggermente and been ready to make from support in order to
go, with rapidity, to the search of the lateral one on the opposite side of
the field. Some of the typical flows of game develop you from the square
viola in phase of formulation are graphically represent to you in figure 1,
When viceversa, the pressing opposing, it does not concur with the square
viola to develop the own phase of construction with the ball to earth here
that the gigliati ones are usual to jump the centrocampo opposing with the
long launch for Tones. On the vertical long escape to support of centrattacco
viola moves Pazzini (or Bojnov) with the lateral ones of centrocampo (Flower
on the right and Jorgensen on the left) that they are raised in order to give
way to the square of being able to develop the contropiede articulate. Online
general, it is possible to assert that 6 players + Frey are deputies to
develop the phase of construction turn to the encircling, while Flower,
Pazzini, Toni and Jorgensen are the 4 references () at which the Fiorentina
it heads in the case is necessary to develop the phase of construction in
vertical. Obviously such general rule is not worth when the Fiorentina leaves
again in contropiede. In such cases also one of the two centrocampisti
centers them (Brocchi in particular) can become part in offensive projection
if the opportunities exist in order to make it with effectiveness. Like
saying, one of objects you of the phase of construction viola is that one to
carry the lateral defenders in possession ball, to the height of the half
line field. When the Fiorentina succeeds to catch up such scope the square
can move according to pretidy distances in order to prepare the rifinitura.
In a context similar to that one shown from figure 2, with Ujfalusi in
possession ball, one of the two tips (that nearest one the ball owner) moves
encounter while the other acts as from advanced reference. To the same one
time the lateral one of centrocampo on the strong side (in the example
Flower) ransom inner between the opposing lines. In such within to the owner
the following solutions of game are shown: 1 passage in vertical for the
second tip (n.29 Pazzini) 2 passage to scavalcare for the advanced reference
(n.30 Tones) 3 vertical passage in for the lateral centrocampista between the
opposing lines (n.10 Flower) 4 passage for the centrocampista inside to
support (n.32 Brocchi) 5 passage of drainage for the defender centers them
(n.27 Of Loreto) If Ujfalusi chooses option 5 the Fiorentina it goes to
giropalla the left back or the vertical construction in for Tones (the two
solutions in are antite and the opportunity to develop some rather than the
other depends on the attitude and the pressing opposing). If Ujfalusi chooses
option 1 and plays the vertical passage for Pazzini, Flower moves to support
of the second gigliata tip and after to have some received the drainage it
can (you see figure 3): 1 to try the conclusion from outside (if the distance
of the player from the door is such to consider the possibility to pull); 2
to play leaking for before the tip that attacks the depth; 3 to laterally
serve the external centrocampista on the side weak person who to second of
the tactical context can decide if to remain wide or to tighten towards the
inside. If Ujfalusi renders account that not is the presupposed ones in order
to go to develop to the deriving combinations dall' option 1 (in particular
when the movement of Pazzini and that one of Flower are not coordinates to
you here) that the gigliato defender can force option 2. In this case the
lateral one ceko goes to try Tones with Pazzini, than, leaving in rear
position leggermente regarding the reference tip, it has the possibility to
act as from support in order to receive of the side and to try the conclusion
in door (fig.4). The option n.3 (direct passage for Flower that has cut
between the lines) does not come mostly used of frequent from the Fiorentina
and however when the lateral defender finds to the inside of the opposing
half field. In this Ujfalusi situation it has way of proporsi in the space
and to be able to receive a passage of return of Flower or the vertical
passage of shown Brocchi therefore like from figure 5. Obviously the two
described developments poc' indeed are correlate one to you the other and
employee from the distances and the times of insertion of the gigliato
defender. Finally, in case Ujfalusi is not in condition for playing in ahead
here that for the lateral defender gigliato there is the possibility to serve
Brocchi to support inner. The centrocampista centers them of right of the
chessboards viola once received the sphere has the opportunity of: 1 to
develop the left maneuver towards for means of an express horizontal sliding
or serving the outside on the side weak person; 2 to verticalizzare for the
reference tip center them for the developments already evidence you from the
description correlated to figure 4; 3 to verticalizzare for Flower that it
has the opportunity to close the combination second represented how much from
figure 6. Obviously those represent to you graphically are only some examples
between the combinations of chain practiced from the gigliata square and
however feasible with the module 4-4-2. A valid alternative can is that one
represented from figure 7 that the right defender sees lateral to serve the
tip that moves encounter while the centrocampista centers knows them them to
support and that lateral one moves in the space in order to receive the
leaking passage of the companion. This solution, used only sporadically from
the Fiorentina that does not possess in Jorgensen and Fiore two exteriors of
extraordinary race, is applicable when the lateral centrocampista "is
crushed" towards the tips and appears easyr to receive ball in lateral zone
that in zone they does not center because of the meager space to disposition
for the inner smarcamento. For that it concerns instead the positioning of
the external centrocampista on the side weak person is possible to evidence
for this last one, three various zones of reception: the 1 next lateral zone
to the line of deep field; the lateral zone to flank of the line white woman;
the inner zone between the opposing lines. The gigliata square, that she has
a single player (Pasqual) with great predisposition to the race, usually ago
to move the own lateral centrocampisti in the zones described to points 2 and
3 of the directory. With the outside that receives the change game along the
lateral line (zone 2) is the external defender who knows them in
superimposition for being able to create conditions of numerical superiority.
If viceversa the lateral centrocampista carries out a cut to usually receive
between the opposing lines the maneuver it develops with the search of the
depth from part of attacking. The choice of the zone where to go to receive
and consequently the type of cut to carry out (to receive/in depth) depends
on the tactical situation and the characteristics of the player. In analyzing
the offensive phase of the square viola is possible to evidence: the 1 effort
made from the technician in order to design those flows of game in a position
to exalting the characteristics of the single players; 2 the cure with which
the players offensives they try to dislocate itself on various lines so as to
to be able itself to move in co-ordinate way originating several combinations
concatenate in which, to second of the development that takes the maneuver,
every forward can act as is from side that gives support or support; 3 the
application with which the square it tries to optimize the positive
transition.
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